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the dictionary project presents: volume 4

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Saturday night, we will be hosting our fourth  installment in The Dictionary Project Presents! reading series at Casa Libre in Tucson, AZ.

As with the project itself, the reading series is rooted in serendipity, play, and love of language. For The Dictionary Project Presents! reading, our readers get the same word two weeks prior to the event and in that time, compose a piece to share with a live audience that is born from that word. We aren’t announcing the word until the night of the event, but there are a few hints in the photos.

We are delighted to have the following writers participating:

Em Bowen is a storyteller, a daughter, a writer, a sister, an amigo, a cat-owner, a story encourager, an editor, never a girlfriend, occasionally a boyfriend and always changing (much as we all are, whether we realize it or not). They went to college in a big university in the Southwest complete with a college town and artsy people. They preferred and still prefer the artsy people. They moved to Portland, Oregon for a while but now reside in Tucson, Arizona again where they like to imagine that they wake up every morning and kick each day in the face. Their work pieces through the human condition, queerness, honesty and the ways in which we learn to survive better.

Garrett Faulkner  writes fiction and catches hell for his surname often. He is a fifth-semester student at the University of Arizona’s Creative Writing MFA program, and is interested in the history of systemic injustice within southern Appalachian communities. Among the august ranks of the MFA contingent here, he is the one most likely to be seen at a bar table surrounded by four or five beautiful women of exotic provenance, sobbing over a tumbler of Campari and grapefruit juice. He will kick this habit after his thesis semester.

Cybele Knowles writes poems, essays, stories, and screenplays. Her work is forthcoming or published in Fairy Tale Review, The Destroyer, Diagram, Spiral Orb, Pindeldyboz, The Asian Pacific American Journal, Faucheuse, and The Prose Poem. She works as a program coordinator at the UA Poetry Center.

Molly Little’s poems have appeared or are forthcoming in American Poetry Review, Beloit Poetry Journal, New England Review, The Missouri Review, and the Southern Review. Originally from Rhode Island, she has lived in Tucson since 2009.

Matt Mendez lives in Tucson with his wife and daughters. He writes, too. His first book, I, is out from Floricanto Press.

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Diana

diana cropped

 

Last night, we held our third the dictionary project presents! reading at Casa Libre en la Solana. And we finally revealed the word that our writers and readers had been working with for two weeks: Diana!

We were all grateful for having to engage with Diana: Roman goddess of the hunt, of the moon and childbirth, of all things wild.

One of the most exciting things about our reading series is assigning the same word to a group of writers and seeing the different ways these brilliant minds and hearts experience and interpret that word.  I am grateful to Ian Ellasante, Hannah Ensor, Kindall Gray, Tc Tolbert, and Teré Fowler-Chapman for their writing and for reading last night. And I am grateful to everyone that came.

We will post photos and videos soon from the event, but in the meantime, I would like to share with you the piece I wrote as an introduction. Wishing you a beautiful day.

 

Diana!

As many of you know, whenever I bibliomance a word for tdp, I close my eyes and run my finger through the dictionary and then over a page. This time, I landed on the image of Diana.

 

 

In yoga asana practice, there are several poses named warrior. In my favorite warrior pose—I say favorite because I’m not holding the position for several minutes now—the right leg lunges forward, knee bent, while the back leg is straight and sturdy, giving the illusion of stillness even as the muscles are working and the tendons wrapping strong around bone. Arms are outstretched in a T-shape with palms facing down, hips positioned to the side. Shoulders are released. And the chest, the chest is open.

 

The first hundred times I did this shape, or any warrior shape for that matter, I focused on where I felt weak. My arms ached. My legs shook. Holding the position for any length of time felt impossible.

 

Years later, I have a different relationship to the pose. Instead of noticing my weakness, even though the pose is challenging, I can instead embrace my strength. I can feel my feet and legs holding me up. I can radiate out from the extension in my arms. I can be aware of my chest as it continues to press into the air, opening.

 

I realize now that the challenge of the pose also reveals my capacity to hold it, but first I have to choose to see it that way.

 

All week I have been thinking about the different meanings of the word warrior.

 

I have been tuned in to the presence of violence and the threat of violence, in our country and in the world. First, with the horrible bombings at the Boston Marathon that resulted in the death of three and injury of almost one hundred and fifty. Second, with the news of car bombs in Iraq that killed at least thirty-three people. I listened to politicians and advisors talk about the difference between the word “terrorism” and “murder” on The Diane Rehm Show. I heard a filmmaker talk to Terry Gross about how he survived an IED when he recorded footage on the frontlines in Iraq and about the documentary he just finished about his partner filmmaker who was killed from a shrapnel wound while filming the uprising in Libya. Then, I read and heard about the Senate’s decision not to pass revised gun control legislation that would require background checks before purchasing these weapons, and the responses of both our president and victims of gun violence saying “shame on you.” And finally, yesterday and today, I have watched the unfurling of armed robbery and gunfights and gun deaths and the ongoing manhunt as Boston police search for the surviving suspect of the Boston Marathon bombing. Perhaps by the time I read this, in front of all of you, he will have been found and thus we will have someone to hold accountable. Perhaps we will have some resolution to one particular tragic event that harmed so many and incited fear and anxiety in even more.

 

And without lessening the burden placed on those that committed all these individual atrocities, the truth is that every one of us is accountable. We are accountable for living in a culture where power and privilege aren’t always used mindfully but instead used with arrogance and thoughtlessness. Accountable for when we choose aggression over talking things through. Accountable for valuing purchasing more and more objects over spending time with our neighbors. Accountable for electing people whose job is to protect us and who have made decisions that do exactly the opposite. Accountable for every word said in anger, every aggressive face or hand gesture made while driving. Accountable when we harm ourselves or others, when we do not live up to our best potential.

 

At one point or another, we are all guilty of being the wrong kind of warrior.

 

I grew up in the South, in a city built on the backs of slaves, and in a time when I could count the African-American women who attended my private Catholic school with me on two hands. There were firm divisions by race in this town, ones I was never asked to question but merely recognize and keep. In every unspoken gesture, I read clearly who I was supposed to be friends with and how I was supposed to be. It took going to a poor bordertown in Mexico when I was ten to show me the devastating impact of poverty, as I witnessed children my age begging on the streets, because I never went to neighborhoods where I would have seen it in my hometown.

 

Life was constricted not only by issues of race and class but by issues of gender—by pantyhose, by scripture passages, by too few female role models giving permission by their presence for me to be creative and curious and strong. For a long time, I struggled to reconcile my femininity with my strength, so entrenched in me were the values of my culture which said that these things could not exist in one person, in one body, in a woman.

 

My freshman year of high school, I was assigned Edith Hamilton’s Mythology. The front cover of the paperback was black with bold white letters and an image of a man riding on the back of a winged horse. I had been an avid reader since early childhood so I was familiar with stories, but these struck a new note. These were mythological figures that I was allowed to think of as icons (as was not permitted with biblical ones). Here were stories I needed. They were the stories of men and women, trying and failing and trying and failing again. They were the stories of gods and goddesses, all of whom had tremendous power and inevitability colossal flaws. One of the goddesses that bewildered me most was the Greek Artemis, or in Roman culture: Diana. She bewildered me because I grew up in a town where pearls hung around the necks of the women who hosted garden parties and gathered children round their legs. I didn’t see any women walking around with bows and arrows, not even metaphorical ones. Even my mother, who I now see as one of the fiercest and most warrior-like women I know, didn’t appear that way when I was growing up. I read her through the lenses that were provided to me and as a result she seemed more careful and cautious than bold and brazen.

 

Diana, Giampietrino

Diana, Giampietrino

 

So when I first read about Diana, I judged her for what I perceived as her “overly masculine” behavior and I wondered how I could fit her into my perception of female heroines, who I had learned thus far were to be smart but not too smart, conversational but not in a way that took up too much space, and above all, beautiful.

 

Diana is the goddess of the hunt. She is also the goddess of the moon. And she is the goddess of the process of birth. In her, the power for livelihood, for the ebbing and flowing of tides, and for the creation of new beings come together. In her, masculine and feminine energies combine, and it is this balance that gives her so much power.

 

dianawithanimalcrescent

 

I’ve been thinking about Diana this week, not just because her name is the word for tonight’s event, but because I feel that her particular kind of warrior spirit is needed in our world right now. Hers is the warrior spirit that stands up against the would-be warriors who say that background checks aren’t necessary, that the solution to weapons is more weapons, that the solution to violence is to meet it with more violence. I’ve been thinking about her because her warriorship is not about using her power to benefit herself; it is not about killing innocents; it is not about encouraging war or bloodshed. Her warriorship is about living from the marrow of the bone, the tender tissue of the heart. Her warriorship is about expressing the fiery aspect of her being without entirely letting go of the reins. Her warriorship about being assertive but also compassionate. Her warriorship requires us not to back down from that which is right but also not to meet those who oppose us with unchecked anger. We will meet them with our minds, with the strength of our spirit rather than swords and shields, rifles and semi-automatics.

 

In 2011, the United States’ military budget totaled 644 billion dollars. We praise our servicemen  and women, but when we see images of them, we don’t so much see their human bodies as we do the items that cover them: guns, magazines, helmets. As a culture, we praise their power and bravery but when they suffer, we refuse to see their humanness, we refuse to recognize that violence does damage to everyone involved. We only honor the fierceness of these warriors without acknowledging their tenderness.

 

“I came to the Greeks early,” Edith Hamilton told an interviewer when she was 91, “and I found answers in them. Greece’s great men let all their acts turn on the immortality of the soul. We don’t really act as if we believed in the soul’s immortality and that’s why we are where we are today.”

 

Diana of Versailles, Leochares

Diana of Versailles, Leochares

 

In it’s most simple definition, a warrior is a brave or experienced soldier or fighter. It is up to us what we fight for. Because being a warrior at its core is not about death and is not about killing. Being a warrior is about responsible use of one’s power and energy. To be a warrior is to act with bravery and courage and to make wise choices in situations of extreme pressure.

 

It’s not that we don’t need warriors. We desperately need warriors. But we need the kind who soldier for love, compassion, and understanding.

 

When I was fourteen, I might have thought that a goddess could not be charged with the duties of hunting and also of midwifery. I might have seen these powers emerging in Diana as completely contradictory. But I don’t think that anymore. Both hunting and childbirth require intense physical and emotional strength. Both require fierceness working alongside wisdom and compassion. In both rituals, there must be encouragement, there must be patience, there must be integrity, there must be a time to hold still and a time to push forward.

 

–Lisa O’Neill, written for The Dictionary Project Presents!, April 19, 2013

 

 

Diana, goddess of the hunt and the moon, Hans Makart

Diana, goddess of the hunt and the moon, Hans Makart

 

Diana bathing with her nymphs, Rembrandt

Diana bathing with her nymphs, Rembrandt

 

 

Artemis

Artemis

 

Diana and Cupid

Diana and Cupid

 

dianadogs

 

Diana, David Swift Photography

Diana, David Swift Photography

 

 

 

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the dictionary project presents: re·ta·ble

 

On October 26, the dictionary project held our second the dictionary project presents reading featuring Tucson writers writing to the word: re·ta·ble. It was a truly magical, inspired and inspiring evening, hosted at Casa Libre. We constructed an altar in honor of the word, and the readers offerings were poignant, funny, smart, and beautiful. It seems appropriate in this time of harvest and of giving thanks to offer these readings to those of you who could not be with us in person on that evening. Please enjoy these offerings of words and ideas as you consider what people, talismans, gifts are on your own retable.

 

re·ta·ble  (ˈrē-ˌtā-bəl)  n.  [Fr., contr.  <  *reretable; rere (see REAR) + table (see TABLE)], a raised shelf of ledge above an altar for holding altar lights, flowers, etc.

 

A million thanks go to Casa Libre Assistant Director Tc Tolbert for recording and uploading these readings so that we can continue to enjoy them.

 

 

 

 

 

 

 

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live from the dictionary project presents! part two!

solar eclipse at Gate’s Pass, Tucson, Lisa O’Neill

 

Today, we have more readers from the dictionary project presents! event at Casa Libre on April 28, 2012.

Annie Guthrie and Samuel Ace read poems they composed for National Poetry Month (napomo) at The Dictionary Project. Elizabeth Frankie Rollins and Rebecca Iosca read flash fiction pieces composed for flash fiction february.  I read on “conduct.” Julia Gordon reads on “New Yorker” and it is a complete and utter tragedy that the video cut out two minutes before she finished because she brought. the. house. down.

Enjoy!

 

Samuel Ace on “drowsily”:

 

Elizabeth Frankie Rollins on “schizophrenia”:

 

Rebecca Iosca on on “schizophrenia”:

 

Annie Guthrie on “penology”

 

Lisa O’Neill on “conduct”:

 

Julia Gordon on “New Yorker”:

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live from the dictionary project presents

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As some of you may know, the dictionary project hosted it’s first live event: the dictionary project presents! at Casa Libre on April 28, 2012.

This week, we’ll be sharing readings from the event. It’s almost like you were there! Or if you were there with us, relive it with us.

(Thanks very much to Casa Libre’s Assistant Director Tc Tolbert for providing the video!)

The first videos are the introduction to the evening as well as the readings that were produced using the word bibliomanced for the event: guava!

 

 

gua·va  (ˈgwävə),  n.  [Sp. guayaba  <  native (prob. Arawakan) name in Brazil],  1.  a tropical American tree or shrub bearing a yellowish, pear-shaped, edible fruit.  2.  the fruit, used for jelly, preserves, etc.

 

 

 

 

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the dictionary project presents!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Our first live event and reading for the dictionary project is tomorrow, April 28, in Tucson at Casa Libre en la Solana. We couldn’t be more excited!

Itinerary for the night includes featured readers published at the dictionary project, interactive on-the-spot bibliomancy, and creative participation from the audience. Featured readers include: Samuel Ace, Lisa Bowden, Julia Gorden, Rebecca Iosca, Drew Krewer, Julie Lauterbach-Colby, Lisa O’Neill, Jenna Orzel, Elizabeth Frankie Rollins, & Aisha Sabatini Sloan. Updates to come post-event!

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