the dictionary project presents!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Our first live event and reading for the dictionary project is tomorrow, April 28, in Tucson at Casa Libre en la Solana. We couldn’t be more excited!

Itinerary for the night includes featured readers published at the dictionary project, interactive on-the-spot bibliomancy, and creative participation from the audience. Featured readers include: Samuel Ace, Lisa Bowden, Julia Gorden, Rebecca Iosca, Drew Krewer, Julie Lauterbach-Colby, Lisa O’Neill, Jenna Orzel, Elizabeth Frankie Rollins, & Aisha Sabatini Sloan. Updates to come post-event!

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the dictionary project author interview: Nicole Sheets

Welcome to a new addition here at the dictionary project: author interviews!

The second and fourth Wednesday of each month, we will feature non-traditional author interviews, where instead of responding to direct questions about their life or work, guest authors will discuss their relationship to words and attempt to provide answers to dictionary project words bibliomanced specifically for them.

We are so pleased to announce our first featured author is Nicole Sheets!

 

 

 

1.   Please share a memory/story/thought in relation to a dictionary/dictionaries:


When I first started graduate school, one gentleman caller mailed me a two volume compact Oxford English Dictionary, the kind with a magnifying glass in the little drawer. I discovered a Friday night game: split a bottle of red wine and the OED with a friend, and look up words as they pop into your head. Sometimes you need to swap volumes with your friend if she has the letters you need.

My OED has moved hundreds of miles with me. It sits on my floor next to one of my bookshelves, largely ignored by my cats, often commented on by dinner guests.

 

2.   What is your current favorite word?

“Buoyant.” I’ve been feeling pretty up lately, like an unsinkable Cheerio. In my memory of the commercial, those Os bounce to the bottom of the cereal bowl and back, through a cascade of milk.

Also, I recently learned “arctophile” when I clicked on a link at dictionary.com ( I confess that I often use an online dictionary in my office rather than the hardback Random House College Dictionary because I’m in a hurry). Isn’t it great that there’s a word for a lover and collector of teddy bears?

 

3.   What, in your opinion, is the most obnoxious/insidious/annoying word?

I’m cheating here because I asked some students to think about this question after reading Mary Oliver’s A Poetry Handbook. One student included “microwave” in her list, and that hit home with me. I dislike microwave’s nasal “r” that bunches up in my nose. My grandmother Hazel refers to her microwave as a “radar range,” which is a far superior name.

When I hear “microwave,” I also think of the microwave in the lunch room at my school. It’s not really a lunch room but more like an open kitchenette next to an alcove that thinks of itself as a lounge. Students and faculty microwave users are rather neighborly minded. Even so, the microwave deflates the meal experience. When you pop open the door and insert your single serve pyrex dish of last night’s stir fry, you see the ring of grease or splotches of overspill on the glass turntable and the sweat on the inside of the microwave door. On your hand you feel the moist breath from someone’s Lean Cuisine.


4.    Please respond to the following words and definitions, picked exclusively and randomly for you:

 

un·faith·ful  \ˌənˈfāTHfəl\ adj  1  :  not observant of vows, allegiance or duty: DISLOYAL  INACCURATE, UNTRUSTWORTHY < a ~ copy of a    document >

 

Last year I tried being an engaged lady. John proposed, and I thought about the proposal for three weeks. And then I called him late one afternoon to tell him I would marry him after all. I had just finished a short run on the Centennial Trail. I thought it would be romantic to say yes by a waterfall. But the rush of water was so loud that we couldn’t hear each other, so instead I said yes in the parking lot of a nearby fish restaurant. I felt buoyant. It was a feeling that lasted about three weeks.

We broke off the engagement well before the vows. Now I have a ring the man doesn’t want back (“It isn’t really the kind of thing you recycle,” he said) and a white, unworn, fitted, lace confection bagged up and hanging in the back of my closet.

 

 

-less  \ləs\  adj suffix  1 :  destitute of : not having < childless >   2  :  unable to be acted on or to act (in a specified way) dauntless

 

I recently turned 35, and I’ve been thinking a lot about childlessness. Last fall, I visited friends in Moscow, Idaho, who have three lovely daughters. Frankie, the three-year-old, asked “Do you have kids?”

“No,” I said. “Why?”

“Because your car has so many doors.”

“Count your blessings,” one of my favorite sing-songy hymns instructs. And I do. The number is high. I can make up many verses. Even so, I feel the –less of my childlessness. I’m not yet hopeless. I’m far from fearless.

 

 

ex li·bris  \eks-ˈlē-brəs, -ˌbrēs\  [L]  :  from the books of  —  used on bookplates 

 

At the Huntington Mall, a habitat of my youth, I spent more time looking at stationery than at books at a bookstore. I would spend at least a couple of hours at the mall every Thursday with Hazel, my grandmother, after she picked me up from my piano lesson. We’d have dinner at the food court or at Morrison’s Cafeteria and be back at her house in time for The Cosby Show. In that era, there were two bookstores in the mall, Waldenbooks and Coles. Coles’ logo and storefront were yellow, and the white floor glared at the fluorescent overhead lights. I browsed the day-by-day calendars and fingered the tassel fringe of the circular racks of laminated bookmarks and bookplates with ex libris printed in scratchy calligraphy.

 

 

2branch  \ˈbranch\  vb  1 :  to develop branches  2 :  DIVERGE  3 :  to extend activities: <the business is ~ing out>

 

On the wall of my grandparents’ kitchen hung a small wooden tree. Its outline was rounded, cartoonish. The texture of the tree was green with small pale dots, and each member of the family had their name printed on an orange, wooden button. Nana and Grandaddy rested in the top branches. My dad, mom, and me down the right edge, and my dad’s sister, my uncle, and my cousins Melissa and Allison took up a fuller bough because there were more of them. Allison’s button was a slightly different shade of orange, suggesting that the tree was a gift before Allie was born. This was a few years before my brother was born and even more years before Allie died the summer after high school graduation.

The living orange buttons haven’t been together since Nana’s funeral. My remaining cousin branched out, got married, had two kids. The family branches stretch so far apart, we might as well be in separate trees. There’s no neat break from an axe’s clean tooth. Just a rot, slow and silent.

 

 

poor \ˈpür, ˈpȯr\  adj   1 :  lacking material possessions <~ people>  2 :  less than adequate : MEAGER <a ~ crop>  3 :  arousing pity <you ~ thing>  4 :  inferior in quality or value  5 :  UNPRODUCTIVE, BARREN <~ soil>  6 :  fairly unsatisfactory <~ prospects>; also : UNFAVORABLE <~ opinion> — poor·ly adv

 

I accidentally misquoted the Bible in a fellowship application, but, reader, I still got the money. When I was a kid, I memorized Bible verses for church all the time, inscribing them on my heart etc. For this fellowship, I was thinking about the word inheritance, and I rewrote the Bible so that it’s the poor who inherit the earth (in fact, it’s the meek. Consolation: “Blessed are the poor in spirit, for theirs is the kingdom of heaven”). I was so sure in my rewrite that I didn’t even look it up to see if I was correct. I guess the fellowship committee liked my version, too.

I’m surprised when Mother Teresa, who lived among the poorest of the poor in Calcutta, expressed compassion for the West. When she accepted her Nobel Peace Prize in 1979, Mother Teresa remarked that in her visit to a nursing home, the residents had material comforts but no one to visit them. Loneliness, lack of love, these are real poverty, Mother Teresa insisted. “I want you to find the poor here, right in your own home first,” she said, “And begin love there.”

 

 


 Nicole Sheets teaches and writes in Spokane, Washington. Her work has recently appeared or is forthcoming in Image, Hotel Amerika, Cream City Review, and DIAGRAM. As WanderChic, Nicole blogs about travel and style for Wanderlust & Lipstick. She can be reached by email at nsheets@whitworth.edu.

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pe·nol·o·gy

 

Robyn, from "Handle Me"

 

 

pe·nol·o·gy  /pēˈnäləjē/  n. the study of the punishment of crime and of prison management.  mid 19th cent.: from Latin poena ‘penalty’ + -LOGY. –pe·nol·o·gi·cal  /pē-nə-ˈlä-ji-kəl/ adj. pe·nol·o·gist /jist/  n.

 

Writer Annie Guthrie joins us for our first annual na·po·mo. Enjoy her poem and photos:

 

 

*

make a box
a social judicial legislative executive box
a thought box
what kind of time does it keep
bodybox time  you feel
yes what did the mothers do
I always study yourself
you are the box. make you the box box fist
im going to punch me first
im going to wall my own wall with a wallbox!
make it box make it do
what kind of keeping does it do
heritage box lineage box legacy box
are you the archon who traces
my fistbox punches ?
yes attention is valuable
is studying humane
that’s why you can’t find it?
it is hoped
navigational way points fix whatbox
your ownself atbox
fear it keeper it do keep
trespassing the natural
I have I have not I had I had not I do have I do not have
I do I did I was I were I were not I am I am not
I where I am I where I am not I am not where
whatbox stay right there where you arebox
I can still put my hands in my pocket
it’s no longer in your hands
wouldn’t you wear gloves for that
yes

 

 
 

Annie Guthrie is a writer and jeweler living in Tucson. She works and teaches at the UA Poetry Center. She has work published in Tarpaulin Sky, Ploughshares, Fairy Tale Review, HNGMAN, The Destroyer, RealPoetik, Everyday Genius, Omniverse, The Volta, Spial Orb and more.

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fly·ing boat

 

 

fly·ing boat, an airplane with a hull that permits it to land on and take off from water: see TYPES OF AIRPLANE, p. 32

 

For the second time in two weeks and in the history of  the dictionary project, when I closed my eyes and ran my finger through the pages of the dictionary, I landed on an image. This time, the image was of a flying boat, a vessel made for both air and water, from a page covered in illustrations of airplanes. Enjoy Kristen Nelson’s text & image poem for the next installment of na·po·mo.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kristen E. Nelson is the author of Write, Dad (Unthinkable Creatures Press, 2012). Her recent work can be found in Tarpaulin Sky, Trickhouse, Cranky Literary Journal, In Posse Review, Dinosaur Bees, Everyday Genius, GlitterTongue, and Spiral Orb. She is a founder and the Executive Director of Casa Libre en la Solana; an editor/curator for Trickhouse; a production editor for Tarpaulin Sky Press; and a writing teacher. She earned her MFA in creative writing from Goddard College.

Photo credit: Sarah Dalby


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drows·i·ly

 

drows·i·ly  (drou’z’l-i)  adv.  in a drowsy manner, sleepily

Samuel Ace joins us with his rendition of drows·i·ly for na·po·mo at the dictionary project. Enjoy the dreamscape, the space in between.

 

 

 

 

 

 

 

Samuel Ace is the author of three collections of poetry: Normal Sex (Firebrand Books), Home in three days. Don’t wash., a hybrid project of poetry, video and photography (Hard Press), and most recently Stealth, co-authored with Maureen Seaton (Chax Press). He is a recipient of a New York Foundation for the Arts grant, two-time finalist for a Lambda Literary Award in Poetry, winner of the Astraea Lesbian Writer’s Fund Prize in Poetry, The Katherine Anne Porter Prize for Fiction and the Firecracker Alternative Book Award in Poetry. His work has been widely anthologized and has appeared in or is forthcoming from, Ploughshares, Eoagh, Spiral Orb, Nimrod, The Prose Poem: an International Journal, Kenyon Review, van Gogh’s Ear, 3:am, and others. He lives in Tucson, AZ and Truth or Consequences, NM.

 

In their jammies (clockwise from top left): Trudy, Pete, and Don from Mad Men; Lana Turner; The Von Trapp Family; and Models from 1957 (photo by Nina Leen)

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con·stel·la·tion

 

 

con·stel·la·tion  (känstəˈlāSHən),  n.  [ME. & OFr.  constellacion;  LL.  constellatio < constellatus, set with stars < L. com-, with + pp. of stellare, to shine < stella, a star; see STELLAR]  1.  a number of fixed stars arbitrarily considered as a group, usually named after some mythological being that they supposedly resemble in outline: see charts on following pages.  2.  the part of the heavens occupied by such a group.  3.  any brilliant cluster or gathering: as, a constellation of beautiful women.  4.  in astrology, a) the grouping of the planets at any particular time, especially at a person’s birth. b) one’s disposition or fate as supposedly influenced by such a grouping.  5.  in psychology, a group of related thoughts regarded as clustered about one central idea.

Editor’s note: For the first time in the dictionary project history, when closing my eyes and flipping through the dictionary, I landed on an image instead of a word. An image of the constellations in the sky. Closest to Libra, in case you are curious. The word for this post is con·stel·la·tion as a result.

For the third word of na·po·mo at the dictionary project, Lauren Eggert-Crowe joins us, contemplating the cosmos.

 

 

 

 

 

 

 

 

 

 

 

 

Lauren Eggert-Crowe was born and raised in rural Pensylvania. After a four year stint in the magical fairyland of Santa Cruz, where she lived so close to the ocean she could hear sea lions from her bedroom window, she relocated to Los Angeles to work as a freelance writer. She has written for The Rumpus, L.A. Review of Books, The Murky Fringe, and Blue Jean Gourmet. Her poetry has been published in several journals, including Puerto Del Sol, So To Speak, DIAGRAM, Terrain.org, Water-Stone Review, Eleven Eleven, and We Are So Happy To Know Something. Her first chapbook, The Exhibit, is forthcoming from Hyacinth Girl Press in January 2013. She is also the author of the literary feminist ‘zine, Galatea’s Pants. She holds an English degree from the Robert E. Cook Honors College at Indiana University of Pennsylvania, and an MFA in Creative Writing from The University of Arizona.

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as·ta·tine

as·ta·tine  (ˈastəˌtēn),  n.  [ < Gr. Astatos, ustable; + ine], an unstable chemical element formed from bismuth when it is bombarded by alpha particles; symbol. At; at. wt., 211 (?); at. no., .85 (formerly designated as alabamine).
 
It’s the second word of na·po·mo at the dictionary project. Enjoy the writing of poet Meagan Lehr!

 
AS·TA·TINE
 


 


 
 

Meagan Lehr’s work can be found at Arch Literary Journal, and Mary: A Journal of New Writing. She currently teaches writing at The University of Arizona, and is managing editor for The Destroyer, an online publication of art, text, and the public rant. Her book Men in Correspondence is forthcoming from Jackleg Press.

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stag·ing

by Clay Connally

 
 
 
stag·ing (ˈstājiNG),  n.   1.   a temporary structure used for support; scaffolding.   2.   the business of operating stagecoaches.   3.   travel by stagecoach.   4.   the act or process of presenting a play on the stage.
 
 
The first word for napomo! at the dictionary project is stag·ing. And our first poet is the wonderful Deborah Poe. Enjoy:

 


 

 

Notes: Cornell Ornithology Lab’s Bird Migration Teacher’s Resource Guide, prepared by Carolyn Sedgewick; Mark Twain for “a cradle on wheels;” Kerry Scanlan, Vicki Piaskowski, Michelle Jacobi and Steve Mahler, Zoological Society of Milwaukee for “Bird Migration Facts;” Mečislovas Žalakevičius for “Global Environmental Change and Vulnerability of Ecosystems: From Local to Regional to Global Scales;” Selah Saterstrom for “Beautiful women are haunted houses,The Pink Institution (Coffee House Press 2004); Zen Evening Gata for the last line.

 

 

Deborah Poe is author of the poetry collections Elements (Stockport Flats Press 2010), Our Parenthetical Ontology (CustomWords 2008), and “the last will be stone, too,” as well as a novella in verse, “Hélène” (Furniture Press 2012). Her poetry is forthcoming or has recently appeared in Shampoo, Denver Quarterly, Yew Journal, Mantis, Horse Less Review, Bone Bouquet, PEEP/SHOW, and Open Letters Monthly. Please visit deborahpoe.com for more information. (Photo by Elizabeth Bryant)

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na·po·mo

 

 

April is National Poetry Month, and to celebrate, the dictionary project is hosting its first na·po·mo! Each Tuesday and Friday during the month of April, we will feature poems inspired by dictionary project words authored by visiting poets. Stay tuned!

 

And to whet your appetite, I leave you with “Diving into the Wreck” by Adrienne Rich:

 

First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.

There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.

I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.

First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.

And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.

I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed

the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.

This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he

whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass

We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.

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con·vex·o-con·cave 

 

con·vex·o-con·cave (kuhn-vek-soh-kon-keyv), adj.  1. having one convex side and one concave side.  2. in optics, designating a lens whose convex face has a greater degree of curvature than its concave face, so that the lens is thickest in the middle.

Writer Rae Pilarski concludes this  flash fiction february with her flash fiction piece on con·vex·o-con·cave. Thanks to all our writers and all you readers for participating. Keep posted for more happenings here at the dictionary project.

 

 

He remembers his daughter when she was young. She looked like her mother then, so serious. When she came home with her first spider, big as the fist it was clenched in, legs sticking out between pink fingers, she brought it to him like an offering, setting it on the dirty knee of his jeans. As she got older, she spent her small weekly allowance on Mason jars in which to place her growing collection.  He built shelves to house them and helped her poke holes in the lids after she opened her finger with a paring knife. He remembers she hadn’t cried, just watched the drops of blood bloom at her feet. He is still amazed at how smoothly the phrase subesophageal ganglion passed through her preadolescent lips. When she was about ten, he told her about ants and magnifying glasses. He had described the way ants smell as they burn under the concentrated spot of sunlight. She had run away from him then, slamming the door to her bedroom behind her hard enough to set the jars along the wall rattling. He wonders now if he should have detected a pattern much earlier.

(Here he thinks about the first boy she brought home at fifteen, who eyed her as if already masturbating to her memory. Should he have known then?)

What he had always found most interesting about his daughter’s spiders was the fact that most were somehow able to spin their webs in their new habitats, unhindered by the smooth curve of the glass. One in particular spent most of its time clinging to the underside of the lid so that he had to turn the jar over in order to catch a glimpse of it. After his daughter left a second time, he had shaken that jar until the spider dropped to the bottom, its long legs curling into itself.

He can only remember his daughter when she was young. He falls into his easy chair. He opens another beer. He turns on the news. He searches for her mother’s face.

 

 

Rae Pilarski currently lives in downtown Tucson and attends the University of Arizona.

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