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mad·cap

1-bonnie-and-clyde-faye-dunaway-1967-everett

 

Day 28 of the 30 days, 30 words challenge:

 

mad·cap  (mad cap)  adj.  1.  wildly impulsive; reckless; rash; a madcap scheme  —n.  2.  a madcap person, esp. a girl [MAD + CAP1]

 

 

Character Sketch of Madcap Gal:

 

 

1. Character Functions:

The Madcap Gal is audacious. She is not afraid of women or men. She is manipulative but without others recognizing her manipulation. Her charm makes those around her want to be part of her crazy adventures, even against their better judgment. She is a (sometimes antagonistic) protagonist, love interest, a best friend (the one with more control in the relationship), a catalyst but never comic relief.

 

2. Character Emotions

Sometimes, the audience sympathizes with Madcap Gal (in the way that cops sometimes let crying women off for violating traffic laws). At best, the audience empathizes with Madcap Gal, because they see parts of themselves—the more wounded, hidden parts—in her. At worst (especially true for fuddy duddies), they view her as reckless, irresponsible, and they rejoice in her fall.

 

3. Character Components

a)     Interior – Madcap Gal was raised in home environment where she didn’t get much attention. With aloof parents, she did everything possible to command attention: acting up, acting out. When that didn’t work, she decided to take her efforts elsewhere, moving out at sixteen and traveling the country. She never stays in a place for too long. She gives the illusion of being completely open and transparent without ever actually being open and transparent. When we are introduced to her in the opening scene, she has already been in Town A for six months, as long as she’s stayed anywhere. And she is torn because for the first time in her life, she feels compelled to stay.

b)   Exterior – She dresses flashily. In loud plaids, in menswear, in tight pencil skirts. Her hair is styled in a tight bob, but she often wears wigs. Most times when we see her, she is wearing a hat. Her favorite is a beret, situated to appear tossed on when it has really been arranged just so. She imagines herself a modern day Bonnie without the Clyde. She walks rapidly, as if she is always late to the next thing (which is often true). Her small apartment is decorated with art she finds on the street. Her rooms are painted bright colors: turquoise, mustard seed, tomato. There is a sort of clutter about the shelves of knick-knacks—old skeleton keys, figurines, glasses—on the living room walls and the pans hanging in the kitchen. But every time she moves, she drags most of these possessions on the curb, taking only her white Samsonite suitcase. Over the course of the first thirty minutes, we see her working three different jobs: at a thrift store, at a coffeeshop, at a fortune cookie factory. We find out she has also worked at a rollerrink, at a record store, at a grocery store, among others. In a flashback, we see her arriving at Town A by riding the rails.

 

4. Character Background

a) Where is the character from (background)?

The audience doesn’t know precisely where Madcap Girl is from, because she has a different story for each person she encounters. She is from a nondescript town in the middle of the country. She invents new places to be from because the reality of her hometown is too boring for the image she creates for herself.

 

b)     What was she doing just before this scene?

Just before the opening scene, she was sleeping.

 

c)      What does the writer say about this character?

Writer says she is running from herself. That her antics are a kind of disguise she wears for having no sense of who she really is or what she really wants.

 

d)     What do others say about this character?

Madcap Girl is either the source of admiration or of scorn. It is impossible to feel neutral about her.

 

e)      What does the character say about herself?

She doesn’t say much about herself. She is a woman of action.

 

5. Character Objectives

These are the main needs and wants of a character (what people want out of life)

 

a)  SUPER OBJECTIVE: “To Be Perceived as Madcap Gal”
What is the primal motivation of the character?  To be perceived by others as spontaneous, adventurous, the life of the party.
What are the main needs of the character? To keep moving, to distract herself, to keep her truer needs ands desires invisible to everyone, especially herself.

 

b) OBJECTIVES
What does the character want (motives)? Attention, excitement, constant movement. And, though she wouldn’t admit it, love.
What are the active choices to achieve the Super Objective? Constantly switching in and out of identities and jobs and relationships, avoiding like the plague anything that could be perceived as practical.

 

c) MAIN ACTIONS

What the character DOES…initiates schemes, stays up all night, recruits followers to be a part of adventures
to get what she WANTS…attention (feeling of worthiness)
to fulfill her NEEDS…to be hidden (to be seen)

 

6. Character Dialogue: excerpts

“A man with a record!”

“You think you’re free? I’m free! You don’t know what freedom is! I’m free. I can breathe. And you… will choke on your average fuckin’ mediocre life!”

“Forget regret.”

“I may have made a mistake but that is no reason to patronize me. It is dismaying that your expectations are based on the performance of a lesser primate, and also revelatory of a managerial style which is sadly lacking. Is it any wonder then that I’ve chosen not to learn the intricacies of an antiquated and idiotic system?”

“Hate is a very exciting emotion. Haven’t you noticed? Very exciting.”

“At the end of the day, we can endure much more than we think we can.”

“I have many skills.”

“He’s dull as powder”

“You’re never gonna jump, are you?”

“Do you think I may one day escape?”

“I’ve been living my life, okay? I’ve been in good relationships and I’ve been in shitty ones… and I’ve moved alot… and I’ve been happy, and I’ve been sad… and I’ve been lonely… and that is what I’ve been doing. Which is a lot more then I can say for some freak, who thinks he’s gonna get the Ebola virus from a bowl of mixed nuts.”

 

 

 

 

 

 

*sketch format based off of formula suggested by Peter D. Marshall

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cap

Navy Hat MO 8350jpg

 

Day 17 of the 30 days, 30 words challenge:

 

cap  (kap),  n. v.  capped, capping.  –n.  1.  a covering for the head, esp. one fitting loosely, made of softer material than a hat and usually having little or no brim.  2.  a covering of lace or similar material for a woman’s head, usually worn indoors.  3.  a headdress denoting rank, occupation, or the like:  a nurse’s cap.  4.  mortarboard (def. 2).  5.  anything resembling or suggestive of a a covering for the head in shape, use, or position: a cap on a bottle.  6.  summit; top; acme.  7.  Bot. the milieus of a mushroom.  8.  Also called cap piece, lid  Mining. A short, horizontal piece at the top of a prop for supporting part of a roof.  9.  a percussion cap.  10.  a noisemaking device for toy pistols, made of a small quantity of explosive wrapped in paper or other thin material.  11.  Naut. a. a fitting of metal placed over the head of a spar, as a mast or bowsprit, and having a collar for securing a further spar, as an upper mast or jib boom, at some distance above its lower end.  b.  a metal hand at the end of a spar.  c.  a cover of leather or tarred canvas for the end of a rope.  12.  a new tread applied to a worm pneumatic tire.  13.  Archit. a capital.  14.  Carpentry. a metal plate placed over the iron of a plane to break the shavings as they rise.  15.  Naut.  a wooden or metal place at the head of a mast, for supporting and steadying an upper mast, as a topmast or topgallant mast.  16.  Fox Hunting. See capping fee.  17.  cap in hand, humbly; in supplication: He went to his father cap in hand and begged his forgiveness. 18.  set one’s cap for, to attempt to catch as a husband: Several girls in the class were setting their caps for the new young biology instructor.  v.t.  19.  to provide or cover with or as with a cap.  20.  to complete.  21.  to surpass; follow up with something as good or better: to cap one joke with another.  22.  to serve as a cap, covering, or top to: overlie.  –v.i.   23.  Fox Hunting, to hunt with a hunting club of which one is not a member, on payment of a capping fee.  24.  cap the climax, to surpass what has been considered the limit; exceed expectations: This latest prank really caps the climax.  [ME cappe, OE cappe  <  LL capp(a) hooded cloak, cap; akin to L caput head] –capless, adj.

 

 

The skipper placed the cap on his head and pulled it down snug. It had been given to him years ago by a woman. In an old black and white photograph tucked at the bottom of a drawer, the two of them sat at a picnic: him—bearded and rough around the edges, even then—and her—pretty and pinafored, with her ruffled dress and white laced bonnet. She’d given him the cap that day and he’d taken off his military issued one, replacing it with the soft fabric, a relief to his forehead. He was on leave. They spread out a blanket by the river and then went for a walk on a trail in the nearby woods. He plucked berries off bushes, showing her which were poisonous and which were safe for eating; they harvested mushrooms, tucking the chanterelles and scarlet cups into cloth napkins. He told her he was done with the sounds of guns firing, the quick sparks. He would work commercial now, directing men on ships he commandeered. The sailors under him staying the sails, securing the caps. But the sailing meant leaving, still and always. She wanted a life on the land. The tires hit every loose rock on the road as he drove her home that day, and the jarring ride felt fitting as he listened to her. She stared out the front window telling him why her answer was no, why it couldn’t be him. He stopped the car at her house and turned, handing her his naval cap but she shook her head. She didn’t turn to look at him, not once, as she got of out the car and walked to the front door. The barriers he had taken down erected themselves quickly. He steadied himself with assurances. He couldn’t give up one love, even for another. Walking on deck, the salty air stung his eyes and he shook off the memory. He didn’t know then that storms are not meant to be borne alone. He didn’t know then that chances are as ephemeral as waves.

 

 

*In this piece, I tried to use every meaning of the word cap in the definition above. The ones I couldn’t manage to sneak in was the capping fee for fox hunting, or capital, or mortarboard. For the most part, the definitions appear in chronological order.

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