Monthly Archives: November 2010

con·duct

Pullman Parlor Car, 1883

con·duct (ˈkän-dəkt)  n. [<  L.  conductus, pp. of conducere; see CONDUCE],  1. a leading; guidance.  2. management; handling.  3. behavior; deportment; way that one acts.  4. [Obs.], an escort; convoy  v.t. 1. to lead; escort.  2. to manage; control; direct; carry on.  3. to direct (an orchestra, etc.) 4. to behave (oneself).  5. to be a channel for; convey; transmit: as, this wire conducts electricity.  v.i. 1. to lead.  2. to act as a conductor.

SYN.—conduct, in this comparison, implies a supervising by using one’s executive skill, knowledge, wisdom, etc. (to conduct a sales campaign); direct implies less supervision of actual details, but stresses the issuance of general orders or instructions (to direct the construction of a dam); manage implies supervision that involves the personal handling of all details (to manage a department); control implies firm direction by regulation or restraint and often connotes complete domination (the school board controls the system). See also behave.

For a long time, I had a tin can in which I kept prized items. One of the items was a brass button that had been removed from the blazer jacket of my paternal grandfather. On it were the raised letters: P-U-L-L-M-A-N.

Grandpa was a superintendent for the Pullman Company. When I explained his job as a child, I often mistook him for the conductor, imagining my portly Grandpa donning one of those navy and white striped caps and, for some reason unbeknownst to me, always carrying a clipboard. I imagined him standing on the step leading up to the car, holding onto the sidecar handle as the train pulled away.

The truth is that he had at one point been a conductor. He worked himself up the ranks from positions I don’t even know the names of to conductor to vice-superintendent in St. Louis and then superintendent in New Orleans.

My Grandpa was a self-made man. Although he never went to college, he had an insatiable appetite for learning. He always had a stack of a dozen books on the coffee table: library books about sociology, about history, about psychology. He encouraged his children’s curiosity, asking them questions and engaging in their learning process. He died when I was seven so I did not get to know him well. Much of my memory of him has been fleshed out in hearing stories from family members.

Pullman Car Built in 1928

In 1952, he relocated his wife and, at the time, four children from St. Louis to New Orleans to take a promotion to be superintendent there. The family traveled by train.

My dad told me that he and his siblings used to love to look out the windows at the countryside, as they did on every trip they made from New Orleans back to St. Louis to visit extended family. It was still the heighday of trains and the riding coaches. Their sleeping cars not only featured pull-down beds but sofas to relax on. The dining car served passengers their meals on fine china. On their laps lay linen napkins. At night, Grandpa would leave his shoes in a locker and the porter would put a fresh coat of polish on them by morning.

Pullman Sleeping Car Porters

As superintendent, Grandpa was in more of a behind-the-scenes role, managing staff and schedules, making sure everything ran on time. He was in charge of hiring and supervising employees like porters and conductors, cooks and waiters. He had to ensure the cars were in condition to roll on the rails and that his staff took care of their responsibilities. Although he did a lot of this from his office, sometimes he would ride on trips himself, like from New Orleans to Baton Rouge on LSU game days, to directly supervise and make sure everything ran smoothly.

***

The first time I traveled by train was when I was nine years old. As I recall, I was traveling from New Orleans to Atlanta to visit family there. All that I remember about that trip is playing travel Yahtzee and eating Little Debbie snack brownies from the concession car. I had expected the concession car to be more like dining cars I had seen in movies so imagine my disappointment when I saw that it more closely resembled the snack bar at our community pool.

When I studied abroad in Rome in college, I traveled by train frequently, throughout Italy and Europe. Traveling by train felt exotic to me. It was a symbol of my independence and each new trip felt like an adventure. Although I was nowhere near a vagabond, I sometimes indulged myself in feeling like one. I have a vivid memory of traveling through Ireland with my friend Heidi and looking out the window at the blur of the hills, thinking I had never seen anything so green. I remember trying to journal about it and being so dissatisfied with all the descriptions I attempted: verdant, fresh, like a football field. The green there was a sort of violent green, impatient with its beauty.

And then there was the time when I mistakenly filled out my Eurorail pass before the train porter came to my cabin. At this point, I was traveling alone from Barcelona to Madrid, and I didn’t speak Spanish or Catalan. I couldn’t explain myself to the porter. Some compassionate middle-aged women in the cabin tried to communicate with me, me in Italian and them deciphering through Spanish. They tried to argue with the porter for me, but it was to no avail. I had lost one of my trip tickets, and I was angry at myself and frustrated. As I lay on my bunk crying, I felt the opposite of independent.

When the train trips meld together, I experience them in a whirring sort of way that replicates the sounds of metal on metal, the echo of wind banging up against the sidecar. These rides were a contrast of things for me—the calm of watching the landscape pass by and the exhilaration, but sometimes fear, of the unknown. These trips were about discovering new worlds and also about overcoming my hesitancy and timidity to enter these worlds alone.

While I know that my journey to feeling more independent and understanding myself better was a gradual one, I remember a breaking point. It was my last week in Rome, and there were some things I wanted to do: return to the Spanish steps, find an Italian cookbook at this specific bookstore, wander back to the Pantheon. None of my friends wanted to do these with me. Instead of abandoning my mission, I had the sudden realization that I could do this on my own. This might seem like an obvious progression. However, I had spent much of my adolescence deciding  what I would do based on other people’s decisions. I did not like to be alone.

And here, there were added intimidations. I was in a foreign country with a foreign language. I had to navigate public transportation in this other language. I had to risk being lost. I had to risk making a fool of myself. I had to risk being alone. I had to risk finding my way by myself.

However, I had lived in Rome at this time for four months, and I could speak the language enough to get by. I knew how to read the bus maps. I knew how to get around. The biggest motivator, though, was that I wanted to do these things and I didn’t care whether someone else was with me or not. I would get myself there. And also, I felt at that moment that I was enough. I remember intense satisfaction when I returned home from my day adventure. I had figured out how to navigate the terrain, without needing anyone else.

***

My dad speaks of his father with pride, not only because he was good at his job but because he had a commitment to equality and justice in the South during times of deep prejudice and injustice. It was his desire to treat everyone fairly.

Inventor of the Pullman Railroad Car, George Mortimer Pullman --- Image by © CORBIS

While I had misremembered that he retired, Grandpa actually left that job when the Pullman Company went out of business in the late 60s, the company no longer able to keep afloat with competing business from air and interstate travel.

My uncle was still living at home at that point and he remembers that on his last day, Grandpa brought a card table and chair to work because the office furnishings had been sold. When the day was done, he packed them up and came home.

I wonder how it felt to him to have worked his way up the system like that, based on his own willingness to learn and develop his skills. I wonder what it felt like to have to experience that loss, to have to make a change not out of desire but out of necessity. I wonder what it felt like to watch a world, a way of life, so unique and compelling become obsolete. And I wonder what it felt like to him to live a life defined by motion, to hear the wheels, to look out the window as states flew by. I wonder what it felt like to walk from car to car, talking to passengers and reviewing schedules, seeing the inner mechanisms of the railroad run like the engine at the front of the train. I wonder what it felt like to witness family vacations and business trips and honeymoons unfold and know that, in simply doing his job, he had played a role in making them happen.

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jad·ed

jad·ed (jā-dəd),  adj. [pp. of jade, v.I],  1. Tired; worn-out; wearied.  2. Dulled or satiated, as from overuse.

The interesting thing about language is how just one letter can create a seismic-size shift in meaning. For example, jaded is a word that means disillusioned, worn down, made dull, apathetic or cynical. One form of the word “jade” is also a verb signifying these sentiments. But the noun version of jade is of course, a gem, a green natural stone that in Chinese culture is revered for the qualities it signifies.

When I think of certain aspects of my life lately, I think of the grooves that form in wood after wheels have run over the same patch over and over again. My creative life feels as if it has stalled. I have moved to a new house and although it is beginning to feel like home, there is more I want to do to personalize my space and make it my own. After some difficult experiences over the past few months, including the break-ins I wrote about here on the blog, I don’t feel like I have the energy or inventiveness to jump the track.

So, I reordered a Feng Shui book I owned years ago in the hopes of at least manifesting what I want in my life in my personal space. Maybe by being intentional about the qi (pronounced chee) in my house, I thought, I would find some insights into what to work on now. Feng Shui literally translates to “wind-water”. Feng Shui, for those unfamiliar, is an ancient Chinese practice in aesthetics that is based in the idea that the energy in your home can be enhanced by the ordering of your home and the placement of the items within it. With intention, you can enhance areas of your life. Your space is divided into baguas, or zones. There are nine baguas: prosperity, fame & reputation, relationships & love, family, health, creativity & children, skills & knowledge, career, and helpful people & travel.

Jade Plant, photo by Matt Baume

For each, there are associated colors, elements and shapes that can be used to enhance the area. By enhancing the qi in your space, you enhance the qi in your life.

I think there is something to this stirring of energy. It makes logical sense to me that the way in which our home is structured would affect our internal structures. I think most readily of clutter. When clutter infests our homes, it also takes up space in our lives. Instead of taking the time needed to do some clearing, we live with the knowledge that there are bills to be paid, paintings to be hung, dishes to be attended to. And those items and the knowledge of them takes up psychic space that could be better used focusing on more important matters. If we neglect the spaces we live in, that neglect can wear us out.

The first year I lived in San Francisco, my room was painted a fluorescent green color. This green was a compromise with the prior resident, who agreed to paint over his one royal blue accent wall with this green. “I was envisioning the colors of the earth when I painted,” he told me. “Uh huh,” I responded. It was hideous.

I intended to paint over it immediately, but little did I know that I was entering one of the most difficult periods in my life. I had a hard time functioning much less considering things like decorating or qi (maybe I should have). So through that difficult time, the fluorescence remained. When I was starting to come out of it and began to reconsider how to organize my space to restore balance and wellbeing in my life, I finally went to the hardware store down the street and bought some paint.

I don’t remember the chip name, but I picked a sagey, jade-toned green. Green has always been one of my favorite colors. I remembered that it was said to be a calming color, fitting for a bedroom. I just needed a shade that suited me.

Chinese Jade

In Chinese culture, jade symbolizes beauty, nobility, perfection, constancy, power, and immortality. There is a Chinese saying that states: “God has a value; jade is invaluable.”  Stones have been found in the country that date back to 5,000 B.C. Whomever wears jade is believed to be protected from misfortune (Could it be said that in wearing jade, this person is “jaded”?)

Chinese Jade

I wonder what attracts me to this shade of green. The color is pleasant to me. It reminds me of Louisiana, of the color of leaves when lit by the sun.

I know for sure that it wasn’t repainting my walls that made me reconnect with important parts of myself that had been neglected. I do know that when it was time to paint, I felt a sense of urgency about it. I went from waiting a year to take care of it to feeling like I needed to paint immediately. So, I bought the paint and brushes, moved all my furniture to the center of the room, draped the floor and the furniture with dropcloths, and began to cover the walls with a new color.

When I was done, my arms were covered in specks of jade that would take a week to finally come off. I found them funny, these stubborn bits of paint. While I tried my best to scrub them off, I also took a kind of pleasure in the testament to small changes I was making in my life.

I know for sure that painting my walls didn’t change my life. But I also know for sure paying attention to my environment was a step in taking care of myself and my needs. I was paying attention to all the spaces I lived and moved and breathed in, the spaces without and within.

My room in the Western Addition, San Francisco

 

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